Cultural prisms: the imagination and sensation versus the representation and framing?
Facing a European style window and looking through manual day light slide viewers, visitors gazed upon framed picture of written Chinese poem, or electron microscope view of “cultural sediments” as solid black Chinese ink, steatite stone of seal, or silk paper (all sediments used for the work mon petit laboratoire – strates d’encrage). The cultural dimension of landscape as perceptive schema (Piaget).
Material: Slides with landscape chinese poems, electron microscope prints of “cultural sediments”, manual slide viewers, suspension system, real window (western style) facing day light
– adaptable dimension –